Read more about the article Political Theory and Transitional Justice
Jean Bernard Restout (French, Paris 1732–1797 Paris) Le Retour du Parlement, ca. 1774 French, Etching; Sheet: 8 11/16 × 11 13/16 in. (22 × 30 cm) The Metropolitan Museum of Art, New York, Purchase, Stephen A. Geiger Gift, 2016 (2016.35) http://www.metmuseum.org/Collections/search-the-collections/707457

Political Theory and Transitional Justice

Transitional justice refers to the variety of legal, political, and social processes that occur as a society rebuilds after war; it includes war crimes trials, truth commissions, and the creation of memorials. Although the term "transitional justice" is a recent one, the philosophical issues contained within it are at the core of political philosophy.

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Black Middletown Lives: The Future of Middletown’s African American Past

In this service learning course, students did hands-on history by uncovering, preserving, and sharing Middletown's rich African American past. We focused on the history of the Beman Triangle. This African American neighborhood, now part of Wesleyan's campus, served as a regional and national antislavery and Underground Railroad center and home to one of the nation's first handful of independent Black churches. Students partnered with local archives, libraries, and museums to help preserve and share this neighborhood's remarkable history. Our projects included building a website and an exhibit to share this history with the Wesleyan and Middletown communities.

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Read more about the article Policing and Power
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Policing and Power

This course examined the history of policing in the United States by considering the contexts and conflicts that birthed and shaped the modern carceral state, focused primarily on the late nineteenth century through the 1980s.

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Read more about the article Mapping The Borderlands: The U.S./Mexico Border and Digital Storytelling
Just south of San Diego, California at the Pacific Ocean. From the US side, facing south.

Mapping The Borderlands: The U.S./Mexico Border and Digital Storytelling

The U.S./Mexico border is not only a geographical boundary, but a complex mapping project, where governments and corporations project their visions of the landscape into policies and boundaries, only to run afoul of people, terrain, and climate. Therefore, this course served two interrelated functions: 1) to explore borderlands as a concept and spatial relations, particularly at the U.S./Mexico border 2) to use digital tools to tell spatial stories about the border. While the current location of the border is often naturalized as an ahistorical and timeless dividing line between the United States and Mexico, this course acquainted students with a long historical approach and competing perspectives on issues arising from the presence of the U.S./Mexico border/lands. Using monographs, first-hand accounts, film, and music, we traced the recent history, politics, and culture of the borderlands, exploring topics like racialization, immigration, gender, place-making, and cultural exchange. At the same time, we examined and applied digital methods that complemented our understanding of the U.S./Mexico border.

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On Evidence: Archives, Museums, and Prisons

This course introduced an interdisciplinary study of the idea of evidence in connection to the modern development of archives, museums, and prisons by setting it in a contemporary dialog with discourses on state violence, incarceration, and refugeetude. This course first established historical and theoretical connections between carcerality, Western archival record-keeping practices (e.g., scientific grids, mugshots, taxonomies, and forms of surveillance), and museological frameworks developed during the transition from the 19th to the 20th century.

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What’s Next – Style 2

Ultimately, the consent decree was sunsetted not because the Hartford Police Department had fixed its deeply-ingrained problems, but because there was no proof that it had directly failed to comply with the 1973 or 2010 agreements. Much of the documents’ language was vague and aspirational, and holds little water in a courtroom. The story of Cintron v. Vaughan searches for a path between the potential and limitations of judicial police reform. Often, “justice” does not represent the totality of the facts, or the feelings of the public, or even the volume of harm caused, but rather a game played—earnestly—between narrow readings.

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